Alhough 3d is often considered these days no longer to be of interest, i believe it may have a theatrical future again, and i've written some considerations on my experiences with it, as i also teach master classes:
I've worked with passion and determination in the film and television industries, learning a multitude of different skill sets over some forty years.
I've also had the privilege of working with and for many talented , Producers and Film Professionals both for the small and the big screen around the world.
During 2020 - 21, building on many decades of complex visual effects work with merging his cinematography and my post production skills, we have developed the .
The Lab, in purpose built flight cases, offers practically all of the functions of a full blown post production facility close to filming locations, or wherever is convenient. On-line editing, colour grading, back up of digital dailies, visual effects and post production of sound can be worked on from the first day of shooting.
It turns the post production process upside down, saving time and money, while offering new creative opportunities and a faster time to market for delivery of the film or episodic television.
My career started first in television as an editor, then in post production and visual effects for commercials, and, since 1995, I have worked mainly for the film and television industries supervising post production, visual effects and 3d.
I founded, found the financing, and managed four of Italy's most innovative post production facilities in their days: IMAGINACTION in Milan (1984), DIGITALVIDEO in Milan (1987), INTERACTIVE in Milan (1992) and CINECITTÀ DIGITAL in Rome (2001).
My passion and desire to contribute my growing production and post production expertise ever more to feature films and television series often took me out of the post production facilities I had founded and managed to supervise and produce visual effects on set.
In the last few years I have also hosted Master classes to train film crews in how to shoot and post produce native 3d; this for China Film Group in Munich and Bejing, for Tecnovision/D-Vision in Rome, for Dunia Productions in Jeddah, and Adriana Trincea Cinematografia in Rome and the Italian Sud Tirolo.
In 2020 -2021 I have designed with Mike Connor an innovative Mobile Digital Lab which we intend to offer operationally to large and small documentary, film, streaming and television productions around the World. It turns the post production process upside down, saving time and money, while offering new creative opportunities and a faster time to market for the project.
The image below links to the mobile lab's website.
I'd love to hear from you if you have any comments or questions on this website, and, of course, if you would like quotations for the daily, weekly or monthly use of the Mobile Digital Lab.