The tree below is a Photo by Amit Ashar. Night shoot on constructed set in Film City, Mumbai for Goldie Behl's "Drona", by kind permission of Rose Movies
Colour & 3d grading in Genoa
3d film with Jean-Jacques Annaud
Svalbard Islands with Arri camera
3d rig in Rome
I've worked with passion and determination for many years in the film and television industries, learning a multitude of different skill sets ranging from those of editor, colour grader, visual effects supervisor, 3d supervisor, post facility founder, manager, and, dulcis in fondo, producer.
I've also had the privilege of working with and for many talented producers and film professionals both for the small and the big screen around the world.
I have participated in several European high tech research projects for digital camera imaging technology, and, recently, artificial intelligence applied to digital film restoration.
I have also developed during 2020, building on many years of work with Mike Connor, the 8k 12k Mobile Digital Lab (see logo/link below) based on decades of production and post production experiences together.
Photo Mattieu Simon de la Mortière. Between scenes in Jean-Jaccques Annaud's 3d film "Wolf Totem" in Inner Mongolia.Thanks to China Film Group.
Although 3d is often considered these days no longer to be of interest, I believe it may have a theatrical future again, and I've written some considerations on my experiences with it, as I also teach master classes: