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BIOGRAPHY

CURRICULUM VITAE

VISUAL EFFECTS

FILM DIRECTORS

MIKE CONNOR

ALBERTO PARODI

ALESSIO FOCARDI

GUIDO PAPPADA'

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PARTNERS MOBILE LAB

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Beyond the above described audio acquisition and sound design opportunities, Alberto also owns and runs a state of the art sound post-production facility with Dolby ATMOS HE mixing capabilities in Genoa. The facility and his services are available optionally and separately, remotely on line, or as a fixed facility to make the final mix for deliverables, if desired.

Alberto's Portable system

LOGICAL BOX

7.1 & ATMOS HE

ADR ON SET As with images, solving problems with audio recorded on location can also be a huge time and money saver for production. With more and more live sound productions being made worldwide ADR becomes absolutely necessary. Talent can sometimes have difficulty attending sessions booked months later in dubbing studios; whereas making any corrections, with quality control and ADR immediately on or near set offers a great advantage to production, with actors and actresses still present and available to re-dub the performances that are also still fresh in their minds. This is one of the many services that Alberto offers when in conjunction with the 8k Mobile Digital Lab.

EDIT ON SET He also offers the  Audio Align Post Service  which corrects the delay and comb-filter phase issues that occur when recording multiple moving microphones, such as in the case of a shoot set-up using a boom microphone in addition to actor’s and actress’s lavalier microphones or multiple on-set microphones. The alignment and correction of the defects, if operated on set, saves hours and hours of tedious, time-consuming tasks in post audio facilities that often require several ear-twisting days to complete.  

Alberto's audio post production on set,

with successive Dolby Atmos and 7.1 mixing in his Mulinetti studios.  

David writes: I've been professionally highly stimulated for many years by Alberto's passion and ability in all that has to do with sound. Especially sound for pictures. He has an unbelievable creative and technical flair with a highly flexible mind that I have rarely found in the industry.  Although most “sound" people are usually separated from the rest of “visual" post production, for years we have continued to work on improving workflow and making sound and picture more efficient, and cross-fertilising. He has continued to invest so as to have the best, most efficient and fastest technologies for his craft, and the speed with which he works is incredible. Finishing as much as 80% of the sound edit, clean up and sound design by the end of shooting saves so much money and time for production, and enables editorial to go forward much faster too. It is no surprise that Alberto loves passionately the Mobile Digital Lab that I have designed with Mike Connor, offering to place the lab in his studios for finishing sound and picture together in the same place. What more could we ask for…

Alberto has a long list of collaborations including the Moody Blues, Renato Zero, Eric Clapton, Angelo Branduardi, the Spice Girls, Tiziano Ferro, Elton John, Julian Lennon, Ivano Fossati, John Mc Lauglin, Eros Ramazzotti, M People, Francesco De Gregori, Simon Climie, Max Pezzali, Chèr, Gianna Nannini, Peter Greenaway, Alessandra Amoroso, Roger Hodgson, Mario Biondi, Sting and Fabrizio De Andrè.  He has also worked for companies IMAX, Eagle Pictures, PBS, Good Morning Film, Medusa Film, Rai and Cinedokke’, amongst others.

CONSULTING Alberto offers on site Consulting in Live Recording, Audio Editing, Mixing (up to 7.1 and Dolby Atmos HE), along with Dialogue Audio Editing and Sound Design.

QUALITY CONTROL Alberto also offers Quality Control of all audio and metadata recorded on site; Cleaning and Restoration of all audio files including: Spectral De Noising, De Clicking, De Hum, De Reverb, De Plosive, De Rustle, De Wind.

ALBERTO'S PORTABLE SOUND SYSTEM is set up on or near to the set and works in tandem with the main Mobile Digital Lab workstations.

Alberto's location recording equipment offered together with his operational work.


Cinema Cart

Recorder/Mixer: Zoom F8N with F-Control.

Wireless: 4x AudioLimited A10, 4x SONY WUP-D,

1x Zaxcom TRX992 Boom Pole Unit.

Antenna Distribution: AUDIO WIRELESS DADM224 with

LPDA Diversity Antenna.

Camera Link: 2x Senheiser G2 500

Wireless Timecode: 1x Ambient The Lockit 1x Ambient Lockit Slate,

3x Ambient NanoLockit.

IFB system: 3x Senheiser EK1038.

Shotgun Microphones: 1x Sanken CS-3e, 2x Sanken CS-1,

1x AudioTechnica AT835ST.

Hypercardioid Microphones: 2X Neumann KM185.

Lavalier Microphones: 8x Sanken Cos11D, 4x Countryman B6

4X DPA 4060.

Surround Microphones: 1x DPA 5100, 1x Rode NT-SF1


ORCA Soundbag

Recorder/Mixer: Zoom F8N

Wireless: 3x RODELink Filmmaker, 1x RODELink Newsshooter

Camera Link: 1x Senheiser G2 500

IFB system: 2x Senheiser EK1038.

Shotgun Microphones: 1x Sanken CS-1

Hypercardioid Microphones: 1X Neumann KM185.

Lavalier Microphones: 3x Sanken Cos11D, 2x Deity Mic W.Lav Micro.

Other Microphones: 2x Rode PinMic, 1x Rode Reporter.


K-TEK Soundbag

Recorder/Mixer: Zoom F6

Wireless: 2x RODE Wireless Go, 1x RODELink Newsshooter

Shotgun Microphones: 1x Sanken CS-1

Hypercardioid Microphones: 1X Neumann KM185.

Lavalier Microphones:2x RODE Lavalier, 2x Deity Mic W.Lav Micro.